New Items, Just Arrived

Just Back In Stock

What's On Sale!

Mixed Media Products

>Art Papers & Images
>Bezels, Mounts, Frames
>Brads and Rivets
>Charm Accents
>Design Elements, Embellishments
>Designer Inks
>Gilder's Paste
>Glue, Resin, Lacquers, Glaze
>Left and Right Stampings in Pairs
>Paints, Pearl Ex, Mica
>Polymer Clay, Polymer Clay Tools
>Resin and Patina Supplies, Kits
>Swellegant Metal Paint, Patina, Dye Oxides

Basic Jewelry Findings
>Barrette, Comb, Tiara Findings
>Beaver Tails, Up Eyes, Sig Tags
>Cameo, Stone Mounts
>Clasps
>Connectors
>Earring Findings
>Eyepins and Headpins
>Jewelry Chain
>Jump Rings
>Pinbacks and Fasteners
>Silk and Velvet Ribbons
>Strandage Bars, Bracelet, Necklace Ends

Bases and Blanks
>Cuff Bracelets
>Bezel Bracelets
>Ring Shanks
>Necklace Blanks
>Drilled Blanks
>Heart Shaped Blanks
>Round, Oval, Tag Blanks
>Brass, Copper Sheet Metal

Brass Filigree
>Raw Brass Filigree
>Filigree to Manipulate
>Filigree for Cagework, Beading

Brass Stampings (by finish)
>Raw Brass Stampings
>Brass Ox
>Chocolate Ox Patina
>Old Rose Ox
>Russian Goldplate
>Rusty Black Patina
>Silverware Silver Plate
>Vintage Brass Stampings
>Green Patina Brass

Specialty Stamping
>Bats, Insects, Snakes, Lizards
>Birds
>Cats, Dogs
>Farm Animals
>Exotic Animals

Steampunk Jewelry Supplies
>Clocks, Watch Parts
>Gears, Cogs, Wheels
>Wings
>Propellers
>Hands
>Keys
>Art Bubbles and Lenses

Lockets, Pendants, Charms
>Heart, Key, Sentimental Vintage Style Charms
>Puffy Heart Charms
>Charms for Painting, Resin Inlay
>French & Foreign Language Charms
>Lockets
>Vintage Style 50's-70's Era Charms, Pendants
>Vintage Design Elements
>Just Hearts

Beads
>Bead Caps
>Beading Cord and Wire Supplies
>Button Cabochons and Cuff Link Tops
>Filigree Beads
>Glass Pendants
>Jewelry Wire
>Vintage Glass Beads
>Vintage Plastic Beads

Flower, Leaf Findings and Beads
>Brass Roses
>Brass Flower Petals to Layer, Rivet
>Brass Leaves
>Filigree Leaves
>Tulip Beads, Lily Drops, Shamrocks
>Glass Flower and Leaf Beads
>Plastic Flower, Fruit, Leaf Beads
>Vintage, Vintage-Style Composition Plastic Flowers

Rhinestones
>Bulk Vintage Glass Stones
>Cameos
>Czech, German Glass Focal Stones
>Flatback Rhinestones
>Intaglios, Reverse Painted Cabochons
>Jewelry Repair Stones
>No Hole Pearls & Pearl Cabs
>Ceramic Flowers
>Vintage Glass Stones

Tools for Making Jewelry
>Accessories, Earring Keys
>Basic Jewelry Making and Repair Tools
>Metal Shears, Hole Punches, Files
>Pliers, Calipers
>Anvils, Bench Blocks, Letter Punch Sets, Hammers
>Polishing Cloths & Cleaners

Gift Certificates

Other Websites of Interest
 
  Home > Silver Sheen by Hilary Frye of FryeStyle
 

Silver Sheen by Hilary Frye of FryeStyle

 



I was inspired by all the shades of grey and black in fall 2010 fashions. Customizing raw brass flowers from B'Sue Boutiques with paint adds to the uniqueness of the project. Plus you get an expensive-looking metallic finish using mica-rich Lumiere paints.

Necklace finished length (end to end 20.5", top to bottom 19")

Note: This project is designed for adults. Some materials may be toxic and must be used with caution.

Tools:
latex gloves and mask (optional)
1" foam brush
needle nose pliers
chain nose pliers
wire cutter
cardboard spray surface
styrofoam block
square toothpicks

Materials:
KRYLON gray primer
Lumiere paint in Metallic Silver and Pewter
Acrylic Sealer (I used a spray, but Diamond Glaze works too)
4 B'sue Big brass flowers (Metal Flowers, Leaves section)
5 B'sue Medium brass flowers (Metal Flowers, Leaves section)
5 B'sue Small brass flowers (Metal Flowers, Leaves section)
4 B'sue brass flower caps (Metal Flowers, Leaves section)
8 Sterling Silver headpins
11 black 5mm Czech pressed glass flower beads
10mm Swarovski pearls
circle pendant
2 yds. chain
2 - 6" lengths 22 ga. wire
heavy jump rings (8mm and 10mm)
toggle clasp

Note: Curing time is important. This is not a fast process. You must let pieces dry adequately before spraying/painting additional coats. And "less is more" for paint...thin, but multiple coats. No "gloppyness".

Directions:
1. Degrease the brass stampings prior to use.

2. Move to a ventilated area, room temperature 70°F and low humidity. Spray 2-3 light coats of Krylon Primer onto both front and back of each brass stamping. (Let dry between coats and before switching sides.) I use cardboard as a base for overspray.

3. Brush 2-3 thin coats of Lumiere paint onto both front and back of each brass stamping with a foam brush. (Let dry between coats and before switching sides.) Varying the metal colors will add dimension to each petal layer. (Metallic Silver outer, Pewter inner) Putting the metal flower caps on toothpicks stuck to styrofoam aids in painting and drying.

4. Now, seal to protect your paint job. A painted-on or sponged-on Diamond Glaze finish works really well.



5. Create the five flower components by stacking each set tightly onto a headpin. Using the round nose pliers form a coil tightly at the back base of the flower component. Watch B'sue video to see how stacking petals and a coil is made. Use jump rings slipped through the coils to attach the components to chain links.



6. Cut chain into three staggered segments for preferred neck length. One long length will string through the circle pendant. The other two chain segments are side drapers. The long piece is the one to attach the flower components to using a jump ring and pliers. Of the four large flower components, the two center ones will also attach to the other short chain segment ends using the same jump ring.

7. On clasp end, attach all three chain ends on each side onto a jump ring.

8. Create a wrapped loop with wire, attach to jump ring. Slip on floral bead cap and a Czech pressed glass bead for stabilization. Form another wrapped loop to attach to the toggle ring via jump ring. Repeat process for the toggle bar.



9. Cut staggered chain segments for the front drops. Attach all three chain ends and the small flower component onto last circle pendant rung with one jump ring, remembering to string the jump ring through the coil on the flower.

10. Wire wrap pearls to chain with headpins. Attach bead caps with headpins. I use a Czech pressed glass bead inside and outside to stabilize the big holes on the metal flower caps.

10. Try on necklace and make any necessary adjustments to flower component positions along chain segments so that they do not overlap. (Just count the links evenly on each side and move via jump ring.)

11. Wear and store the necklace properly to avoid abrasion to the painted finish.

ABOUT THE ARTIST
Hilary Frye is an artist, designer, and instructor that lives by the motto: "hunt, gather, create, share". She graduated with a B.A. Art Education, K-12 with an emphasis in fibers and design. Please visit her online at fryestyle.blogspot.com.

Would you like to design a project for our website? All designers will get full credit, links to their website and a gift certificate to spend any way they like at B'sue Boutiques website. Contact B'sue for details at bsue1441@aol.com